MESSIAEN – A SUGGESTED PLACING (1955)
Identifieur interne : 000129 ( Main/Exploration ); précédent : 000128; suivant : 000130MESSIAEN – A SUGGESTED PLACING (1955)
Auteurs : David DrewSource :
- Tempo [ 0040-2982 ] ; 2010-04.
Abstract
It has often been said that David Drew first made his critical reputation with a series of three articles on the music of Olivier Messiaen – essentially, the first informed criticism of the French composer that had appeared in English – published in The Score and I. M. A. magazine in 1955. David's friendship with William Glock, who owned and edited The Score, was long-lasting: from this time, when he was essentially Glock's assistant in its editing and production, to after Glock's death in 2000, when he acted as co-executor of his Will. ‘A Suggested Placing’ is the concluding portion of the final Messiaen article, published in The Score Number 14, the issue of December 1955. The invocations of Charles Ives – at that period hardly known to his own countrymen in the USA, let alone outside it – seem particularly prescient, and should remind us that David had already published a knowledgeable survey of ‘American Chamber Music’(in Chamber Music, ed. Alec Robinson, Pelican Books, 1955).
Url:
DOI: 10.1017/S0040298210000124
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 001095
- to stream Istex, to step Curation: 001095
- to stream Istex, to step Checkpoint: 000074
- to stream Main, to step Merge: 000127
- to stream Main, to step Curation: 000129
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>MESSIAEN – A SUGGESTED PLACING (1955)</title><author><name sortKey="Drew, David" sort="Drew, David" uniqKey="Drew D" first="David" last="Drew">David Drew</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:E32EF80166A60C3AED51A317F89A1C9EE130DA75</idno><date when="2010" year="2010">2010</date><idno type="doi">10.1017/S0040298210000124</idno><idno type="url">https://api.istex.fr/document/E32EF80166A60C3AED51A317F89A1C9EE130DA75/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">001095</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">001095</idno><idno type="wicri:Area/Istex/Curation">001095</idno><idno type="wicri:Area/Istex/Checkpoint">000074</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000074</idno><idno type="wicri:doubleKey">0040-2982:2010:Drew D:messiaen:a:suggested</idno><idno type="wicri:Area/Main/Merge">000127</idno><idno type="wicri:Area/Main/Curation">000129</idno><idno type="wicri:Area/Main/Exploration">000129</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a">MESSIAEN – A SUGGESTED PLACING (1955)</title><author><name sortKey="Drew, David" sort="Drew, David" uniqKey="Drew D" first="David" last="Drew">David Drew</name></author></analytic><monogr></monogr><series><title level="j">Tempo</title><title level="j" type="abbrev">Tempo</title><idno type="ISSN">0040-2982</idno><idno type="eISSN">1478-2286</idno><imprint><publisher>Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><date type="published" when="2010-04">2010-04</date><biblScope unit="volume">64</biblScope><biblScope unit="issue">252</biblScope><biblScope unit="page" from="10">10</biblScope><biblScope unit="page" to="13">13</biblScope></imprint><idno type="ISSN">0040-2982</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0040-2982</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract">It has often been said that David Drew first made his critical reputation with a series of three articles on the music of Olivier Messiaen – essentially, the first informed criticism of the French composer that had appeared in English – published in The Score and I. M. A. magazine in 1955. David's friendship with William Glock, who owned and edited The Score, was long-lasting: from this time, when he was essentially Glock's assistant in its editing and production, to after Glock's death in 2000, when he acted as co-executor of his Will. ‘A Suggested Placing’ is the concluding portion of the final Messiaen article, published in The Score Number 14, the issue of December 1955. The invocations of Charles Ives – at that period hardly known to his own countrymen in the USA, let alone outside it – seem particularly prescient, and should remind us that David had already published a knowledgeable survey of ‘American Chamber Music’(in Chamber Music, ed. Alec Robinson, Pelican Books, 1955).</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Drew, David" sort="Drew, David" uniqKey="Drew D" first="David" last="Drew">David Drew</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000129 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000129 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:E32EF80166A60C3AED51A317F89A1C9EE130DA75
|texte= MESSIAEN – A SUGGESTED PLACING (1955)
}}
| This area was generated with Dilib version V0.6.33. |  |